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Falling In, by Frances O'Roark Dowell
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Now in paperback, seeing is believing—unless, of course, you don’t know who the real witch is, or if there is a witch at all!
B z z z z z z z
B z z z z z z z
Isabelle Bean is trying to pay attention to her teacher, but she hears a buzz in her ear that she can’t seem to shake. She thinks it sounds like she’s teetering on the edge of the universe—and she’s not that far from the truth. Isabelle’s so distracted by the buzz that she gets sent to the principal’s office, and then while awaiting her punishment, she tumbles into an adventure—into another world that’s a little bit different, a little bit Hansel and Gretel-y, a little bit like a fairy tale. Which would be great, but since she shows up in fairy-tale land wearing her favorite high, pointy boots, the fairy-tale people start thinking that Isabelle is a witch—and not just any witch, but the witch!
From Edgar Award-winning author Frances O’Roark Dowell comes the unlikely story of Isabelle Bean—an ultimate misfit, an outsider extraordinaire, and not a witch!
- Sales Rank: #622545 in Books
- Brand: Atheneum Books for Young Readers
- Published on: 2012-04-17
- Released on: 2012-04-17
- Original language: English
- Number of items: 1
- Dimensions: 7.63" h x .70" w x 5.13" l, .26 pounds
- Binding: Paperback
- 256 pages
From School Library Journal
Grade 3–6—Isabelle Bean has no friends since her classmates consider her weird and even scary. She prefers thrift shops to the mall and dresses in whatever she feels like at the moment. One day, sitting in class concentrating on a strange buzzing sound, she is sent to the principal's office for not paying attention. She opens the door to a supply closet and is plunged into a fairy-talelike world in an alternate universe. She encounters children traveling to the "camps" to avoid being eaten by the Witch of the Woods and meets Hen, and they set out on their own in the opposite direction. Arriving at a cozy cottage, the girls are welcomed by Grete, an elderly woman who uses plants to heal. Isabelle learns that Grete is her grandmother and that she may be the "witch" the people have been taught to fear. Armed with only her determination and intuitive nature, Isabelle marches off to the camps to dispel the rumor of the witch. It is here the plot thickens as Dowell offers twists, turns, and a tragic near-death. Throughout the book she addresses readers directly as though she is telling the story to them. Isabelle's adventures come to a satisfying conclusion as she "falls out" of her school closet a little wiser and maybe a bit more likely to make a friend, and she reminds readers to just believe that "the doors are out there. Don't be afraid to turn the knob."—D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From Booklist
*Starred Review* Feeling like a changeling in her own world, sixth-grader Isabelle Bean falls into another, where she meets her healer grandmother, Grete, and corrects a misunderstanding that had terrorized generations of children. Although it uses traditional tropes and the faintly medieval setting of much of children’s fantasy, this perfectly paced story has enough realistic elements to appeal even to nonfantasy readers. The plot centers on Isabelle’s efforts to convince the other world’s children that her grandmother is not a wicked witch. This task is complicated but ultimately accomplished by Grete’s accidental poisoning at the hands of a small boy. The storyteller’s voice is evidenced by the opening line (“On the morning this story begins”) and occasionally interrupts the narrative with explanation and rumination. The decidedly opinionated narrator’s privileged stance lends a sense of directness and immediacy to the telling, and the adult perspective allows for more complex language and deeper understanding. Dreamy and distractible, Isabelle is an appealing protagonist whose newfound gift for hearing calls for help reflects how she has grown up enough to see beyond herself. Like Isabelle, her story has that “barely visible edge of otherworldliness” that gives it power. Grades 4-7. --Kathleen Isaacs
Review
A master at capturing the emotional lives of modern kids in realistic fiction proves equally adept with fantasy. The fledgling fantasist produces surprises, despair, reunions and hope, all with a deft, playful touch and the ability to deliver breathtakingly penetrating insights perfectly pitched to her audience. Dowell spreads her wings and soars. - Kirkus ( * Starred review)
Dowell’s (Shooting the Moon) first fantasy novel features sixth-grader Isabelle Bean, an unconventional protagonist who prefers thrift stores to malls and demonstrates an “impressive talent for irritating teachers.” Isabelle’s adventure begins in the school nurse’s office, where she discovers an entrance into another world and meets a group of children fleeing from a witch. As fate would have it, the “witch”—mistreated and misunderstood by villagers—turns out to be Isabelle’s biological grandmother. Much of the novel focuses on the healing powers and sad history of Isabelle’s grandmother and Isabelle’s effort to set the record straight. Readers may be amused by the narrator’s digressions, backtracking, direct addresses (“You want me to tell you where Isabelle is, don’t you? You want me to spell it out for you, draw you a map, paint a picture. Well, I’m not going to do it”), and impish
A master at capturing the emotional lives of modern kids in realistic fiction proves equally adept with fantasy. When sixth-grader Isabelle Bean, the kind of "girl who is as silent as a weed," falls through the floor of a supply closet into what is clearly a fantasy land, she arrives during "the witch's season," when all the children of the Five Villages hide in makeshift camps to avoid being eaten. Isabelle, however, thinks that a witch might be interesting, so she heads south instead of north, picking up the girl Hen, who is straggling behind her village's evacuation, along the way. Soon they bump into Grete, an old woman who lives alone in the woods and who takes them in, teaches them herbal lore and healing. Here, the beguiling crotchety intrusive narrator suggests readers might want a refund for the lack of excitement, but... The fledgling fantasist produces surprises, despair, reunions and hope, all with a deft, playful touch and the ability to deliver breathtakingly penetrating insights perfectly pitched for her audience. Dowell spreads her wings and soars. "Kirkus", starred review
Feeling like a changeling in her own world, sixth-grader Isabelle Bean falls into another, where she meets her healer grandmother, Grete, and corrects a misunderstanding that had terrorized generations of children. Although it uses traditional tropes and the faintly medieval setting of much of children's fantasy, this perfectly paced story has enough realistic elements to appeal even to nonfantasy readers. The plot centers on Isabelle's efforts to convince the other world's children that her grandmother is not a wicked witch. This task is complicated but ultimately accomplished by Grete's accidental poisoning at the hands of a small boy. The storyteller's voice is evidenced by the opening line ("On the morning this story begins") and occasionally interrupts the narrative with explanation and rumination. The decidedly opinionated narrator's privileged stance lends a sense of directness and immediacy to the telling, and the adult perspective allows for more complex language and deeper understanding. Dreamy and distractible, Isabelle is an appealing protagonist whose newfound gift for hearing calls for help reflects how she has grown up enough to see beyond herself. Like Isabelle, her story has that "barely visible edge of otherworldliness" that gives it power. Kathleen Isaacs - "Booklist" STARRED REVIEW
Dowell's (Shooting the Moon) first fantasy novel features sixth-grader Isabelle Bean, an unconventional protagonist who prefers thrift stores to malls and demonstrates an "impressive talent for irritating teachers." Isabelle's adventure begins in the school nurse's office, where she discovers an entrance into another world and meets a group of children fleeing from a witch. As fate would have it, the "witch"--mistreated and misunderstood by villagers--turns out to be Isabelle's biological grandmother. Much of the novel focuses on the healing powers and sad history of Isabelle's grandmother and Isabelle's effort to set the record straight. Readers may be amused by the narrator's digressions, backtracking, direct addresses ("You want me to tell you where Isabelle is, don't you? You want me to spell it out for you, draw you a map, paint a picture. Well, I'm not going to do it"), and impish tone, though it can feel a bit forced. Perhaps too many facts are left to the imagination: how Isabelle has changed and what she has gained from her experiences remain questionable at the end of the book. Ages 8-12.
--"Publishers Weekly" (Mar.)
Isabelle Bean has no friends since her classmates consider her weird and even scary. She prefers thrift shops to the mall and dresses in whatever she feels like at the moment. One day, sitting in class concentrating on a strange buzzing sound, she is sent to the principal's office for not paying attention. She opens the door to a supply closet and is plunged into a fairy-talelike world in an alternate universe. She encounters children traveling to the "camps" to avoid being eaten by the Witch of the Woods and meets Hen, and they set out on their own in the opposite direction. Arriving at a cozy cottage, the girls are welcomed by Grete, an elderly woman who uses plants to heal. Isabelle learns that Grete is her grandmother and that she may be the "witch" the people have been taught to fear. Armed with only her determination and intuitive nature, Isabelle marches off to the camps to dispel the rumor of the witch. It is here the plot thickens as Dowell offers twists, turns, and a tragic near-death. Throughout the book she addresses readers directly as though she is telling the story to them. Isabelle's adventures come to a satisfying conclusion as she "falls out" of her school closet a little wiser and maybe a bit more likely to make a friend, and she reminds readers to just believe that "the doors are out there. Don't be afraid to turn the knob.""-""SLJ, "April 1, 2010
Most helpful customer reviews
5 of 5 people found the following review helpful.
An Enchanting Introductory Fantasy for Younger Readers
By Silmarwen
Isabelle Bean never quite fit in at school or at home or anywhere really. So she is not a bit surprised to find another world on the other side of the nurse's closet door at school and she eagerly steps in. The children Isabelle meets in the other world presume that she is a witch and want nothing to do with her. After convincing the children that red, pointy boots do not a witch make, Isabelle is instructed to retreat to the children's camp in the woods so that the witch won't find her and eat her. But Isabelle doesn't always do what is sensible or even what she is safest. She decides that it would be much more interesting to meet a witch in this new world and promptly heads off in that direction. Along the way, she befriends Hen, a clever young girl about her own age, and Grete, a wise, old herb woman who is both more and less than she seems...
This is a charming little book intended for readers ages 8 - 12. I think that it is a good, gentle introduction to fantasy books if your child is interested in reading that genre. The story is fairly simple and easy to follow, but while the "mystery" is really no surprise for older readers, younger readers will delight in trying to figure out who Isabelle really is and if Grete is really a witch. The type is fairly large and the pages a bit smaller than usual so young readers will make rapid progress and should finish the book pretty quickly.
The writing style was my favorite part of the book. It is written in a confidential, story-telling mode that experienced actors and performers use to engage their audience. However, I will say that one of the things I both enjoyed and did not like about the writing style were the random asides inserted by the author. You will be reading along the story and then all of a sudden be jolted out for an explanation of what a changeling is or to discuss the holes in modern education. These little interruptions are entertaining and may even be useful for those less familiar with fantasy books, but I did not think that they were placed very well sometimes as I thought they disrupted the pace of the story. The characterization and descriptions were really well done, however. I liked Isabelle right away and thought it was wonderful that this book is based around a quirky, offbeat young girl who knows that she is different, but is okay with it. Her thoughts and rationales for doing things are really hilarious! Hen and Grete are also interesting to get to know and help you realize that not everyone is who or what they seem and that sometimes stories have a way of taking on a life of their own.
I recommend this book for young readers, but I especially recommend it to those parents or teachers who are looking for a fun book to read out loud. There is a lot of personality in this book and many opportunities to unleash your inner performer as you relay these words to your audience. I would love to hear this in audiobook format or to have the chance to read it to some young children as I think that the book is written in a style that is like an old-fashioned bard performing a story. This is a fun, cute read that young girls will particularly enjoy, but young boys should find entertaining as well.
7 of 9 people found the following review helpful.
Otherworldly Isabelle Bean
By Kate Coombs
Isabelle Bean is not like the others. She's quirky and imaginative, a dreamer. As a result, she is thoroughly ostracized by the kids at school. Even her mother, an orphan and a widow herself, isn't certain how to interact with a girl who doesn't want to shop at the mall for clothes.
Surprisingly stoic about her social status, Isabelle is as much puzzled as troubled by the situation. A great reader, especially of fantasy, she decides she must be a changeling. For one thing, what is that buzzing noise she's been hearing all morning at school? Sent to the principal's office for not paying attention in class, Isabelle steps into the nurse's office and, imagining the possibilities, opens a mysterious door. Her final remark to a classmate waiting for the nurse is, "Yes, I believe I'd like to visit the country of Mice. I'll try to be back by lunchtime, but if I'm not, save one perfect french fry for me, would you?" Then Isabelle "falls in," emerging in another world, another school.
There the children take one look at her clothes and accuse her of being a witch. After semi-convincing them she's not, Isabelle sets out to explore her new domain. It turns out the local villages send their kids away to camp in the forest for fear of a horrible child-eating witch. Isabelle being Isabelle, she heads straight for the witch. Along the way, she meets a village girl named Hen who agrees to accompany her, although Isabelle hides her true purpose. They eventually come to the cottage of an old herbwoman named Grete who feeds them and teaches them her craft--but Isabelle begins to suspect that Grete is the witch.
Other than Isabelle's initial journey to another world and some mild psychic powers, there's not a whole lot of magic in this book. Instead, Dowell is interested in the idea of how someone might come to be labeled a witch, and how awful stories might be born from communal fears. Fortunately, she is also interested in laying such fears to rest.
Isabelle's own connection to this strange land and its witch add further dimension to the tale.
Dowell is best known for her often-moving contemporary and historical realism (e.g., Shooting the Moon), plus her funny school stories about Phineas L. MacGuire, so fantasy's a real departure for her. In fact, I kept feeling like she was drawing back from the magic in her own story. What I'd really like to see is a whole book from this author written in magical realism, since when she uses it in Falling In, her style shines especially bright.
In the end, Isabelle's adventure in the world she visits is more character than plot driven, and a bit didactic to boot. Still, Dowell is talented enough to make this work. She spices her tale with humor, for example: funny little interposed chapters in which she addresses readers and an amusing (yet scary) problem for the witch later in the book. Things do get darker soon after, though, and Isabelle has to do some quick thinking to turn the tide.
Falling In is as quirky as its main character, but it's worth spending time with. And it just might offer comfort and cheer to young dreamers and outsiders.
Note for Worried Parents: This book includes bullying, threats of violence, and an upsetting story about a baby who is hurt. It is generally encouraging, however.
2 of 2 people found the following review helpful.
Before You Turn That Door Knob...
By C. Maynard
Something could be on the otherside of that door. Perhaps another world? This is the setting to "Falling In" by Frances O'Roark Dowell. This book was overall inventive; I found that I didn't always know where the author was going with the story, and I like that.
Isabelle Bean is a misfit in her life. She thinks about things differently from the average kid. She ends up having an adventure that explains why she is so different. Or, was it all real? It is kind of similiar to Alice in Wonderland in the sense it leaves you wondering if the author intended the story to be real or not.
I really enjoyed the author's style of writing. She speaks to the reader in a confidential way. It was refreshing. Overall, the book itself is well-written. Nowadays, we get some great storylines, but the quality of writing isn't very good. Not so here. She demonstrates an ability to actually "write" in the true sense of the word. The book is written for ages 8-12. I think boys may like the story as well (or at least read it in secret).
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