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Three Philosophical Poets; Lucretius, Dante, and Goethe, by George Santayana
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 Excerpt: ... environment. To give material embodiment to moral ideas by such a method would nowadays be very artificial, and perhaps impossible; but in Dante's time everything was favourable to the attempt. We are accustomed to think of goods and evils as functions of a natural life, sparks struck out in the chance shock of men with things or with one another. For Dante, it was a matter of course that moral distinctions might be discerned, not merely as they arise incidentally in human experience, but also, and more genuinely, as they are displayed in the order of creation. The Creator himself was a poet producing allegories. The material world was a parable which he had built out in space, and ordered to be enacted. History was a great charade. The symbols of earthly poets are words or images; the symbols of the divine poet were natural things and the fortunes of men. They had been devised for a purpose; and this purpose, as the Koran, too, declares, had been precisely to show forth the great difference there is in God's sight between good and evil. InPlatonic cosmology, the concentric spheres were bodies formed and animated by intelligences of various orders. The nobler an intelligence, the more swift and outward, or higher, was the sphere it moved; whence the identification of "higher" with better, which survives, absurdly,to this day. And while Dante could not attribute literal truth to his fancies about hell, purgatory, and heaven, he believed that an actual heaven, purgatory, and hell had been fashioned by God on purpose to receive souls of varying deserts and complexion; so that while the poet's imagination, unless it reechoed divine revelation, was only human and not prophetic, yet it was a genuine and plausible imagination, moving on the lines of nat...
- Sales Rank: #2407591 in Books
- Published on: 2012-05-14
- Original language: English
- Number of items: 1
- Dimensions: 9.69" h x .10" w x 7.44" l, .23 pounds
- Binding: Paperback
- 48 pages
About the Author
George Santayana (1863--1952) was a philosopher, poet, critic, and novelist. He is the author of "The Last Puritan" (MIT Press) and many other works.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Monograph, rather than book
By travel light and smiling
It would be better if Amazon or someone could identify publications like this as monographs rather than books.
This is an article written by Santayana. It advances the position that the three poets summarize three major themes in western thinking. I enjoyed Santayana's turn of phrase, and turned back to Lucretius. I may re read Dante (maybe) and Goethe (doubtful)
1 of 1 people found the following review helpful.
Gateway to the great books
By Christopher (o.d.c.)
Original publication: 1910.
Here is Santayana's own (shall we call it?) non-apology for this short but substantial book:
... I am no specialist in the study of Lucretius; I am not a Dante scholar nor a Goethe scholar. I can report no facts and propose no hypotheses about these men which are not at hand in their familiar works, or in well-known commentaries upon them. My excuse for writing about them, notwithstanding, is merely the human excuse which every new poet has for writing about the spring. They have attracted me; they have moved me to reflection; they have revealed to me certain aspects of nature and of philosophy which I am prompted by mere sincerity to express, if anybody seems interested or willing to listen.
This is a great book with a paradox at the heart of it. On the one hand, Santayana was probably the only man in America, the only man at Harvard even, who had the urbanity and breadth of knowledge to write about Lucretius, Dante, and Goethe (with footnotes in Latin, Italian, and German). On the other hand, who but an American could view the great national poets of Rome, Italy, and Germany as his own inheritance? And with such panache:
... Because my instinct taboos something, the whole universe, with insane intensity, shall taboo it for ever. This infatuation was inherited by Dante, and it was not uncongenial to his bitter and intemperate spleen. Nevertheless, he saw beyond it at times. Like many other Christian seers, he betrays here and there an esoteric view of rewards and punishments, which makes them simply symbols for the intrinsic quality of good and evil ways. The punishment, he then seems to say, is nothing added; it is what the passion itself pursues; it is a fulfilment, horrifying the soul that desired it.
On the one hand, I don't think this book is a substitute or shortcut to three major poets. On the other, I don't think a reader should feel daunted by the scope of this book- one needs no mastery of ALL of Lucretius, Dante, and Goethe (given that, one could write such a book instead of read it)- that's why I call THREE PHILOSOPHICAL POETS a gateway.
2 of 2 people found the following review helpful.
Three Philosophical Poets Lucretius, Dante, and Goethe
By thomas carter
Excellent summation of three of history's greatest thinkers. Well organized. Format makes it easy to compare the three men's concepts.
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